Tuesday, July 3, 2018

Holding the Purse Strings
By Erika Holshoe, FAAM Summer Intern

As every fashionista knows, no outfit is complete without accessories. Which is why we are so excited to open our newest exhibit “Holding the Purse Strings: Women’s Accessories from the Turn of the Century (1890s-1930s).” As the title suggests, this new exhibit displays handbags, shoes and fans from, you guessed it, the turn of the century!
Chatelaine, Silver, late 19th century
FIC.2018.001.018

While leather is the preferred fabric of today’s handbag, handbags from the turn of the century are glitzy, with glass beads, sterling silver and metal mesh that sparkle in the light. When worn, these dazzling handbags conveyed messages about the owner’s status in society. Such costly and visually stunning bags demonstrated the owner’s wealth and power, as well as their taste for modern fashion.

Before purses, precious objects were carried in drawstring bags tied around the waist. With the popularity of robe a la française and robe a la anglaise, pockets were tied around the waist and hidden under these large skirts. But as the 19th century neared the end, the silhouettes of women’s garments slimmed down… meaning no more room for pockets. With this came the popularity of purses!

Watch this video from the National Museums Liverpool to see pockets in action! https://www.youtube.com/watch?v=UpnwWP3fOSA

The first modern purses were called reticules and chatelaines. Typically made of precious metals, they were pinned like broaches to the waistband on chest of a ladies’ gown. Chatelaines had multiple chains dangling from them, each with individual tools considered essential for a lady. Kind of like a Swiss Army Knife! One of our chatelaines on exhibit has five chains, with tools for sewing and writing. Chatelaines also would have included a bag made of metal mesh or beaded fabric to carry precious goods around, but our chatelaine’s bag has been lost to the course of time.

In comparison to tote bags of our day, chatelaines and other early purses may seem rather small. A proper lady only needed to carry her most essential items with her: some coins, a mirror and lipstick (when it became a more mainstream cosmetic). Due to her reliance on servants and her husband or father, an upper class lady did not need to carry more than the basic essentials. These bags were for minimalists! However, with the rise of women in the workforce in the twentieth century, purses began to come in all shapes and sizes to accommodate the working woman.




Metal mesh bags from the turn of the century are big enough to just hold these few necessities. These bags are made of interlocking pieces of metal, precious or otherwise, much like a medieval knight’s chainmail. They could be painted with designs, often inspired by Persian carpets. Our “Whiting and Davis” mesh bag is printed with a beautiful Middle Eastern inspired motif in blue, white, yellow and orange. Its golden kiss lock clasp is engraved with a floral motif. It would have been the accessory in its day! The Whiting and Davis Company was founded in 1876 and pioneered the machinery to mass produce these gorgeous metal mesh bags. I suspect that these bags were popular not just for their good looks, but because they showed off the newest in emerging technologies!
Whiting & Davis Co. Dresden Metal Mesh Bag, 1927-1932
FIC.2018.001.014
Beadwork embellishments were popular on many purses from the 1890s-1930s. This 1920s drawstring bag features beaded tassels, probably to match the beaded tassels on a flapper gown!
Drawstring Ivory Satin Beaded Purse
1920-30
FIC.2018.001.015
You'll never be without your mirror with this gorgeous 1930s red velvet bag - it has a built in compact!
Red velvet purse, 1930s
FIC.2018.001.013



While drawstring bags and mesh bags were quite popular, other popular purse styles included beaded bags with sturdy metal frames and delicate metal link handles, boxy luggage inspired leather bags, and clutches. The purses we have on display were all handmade, making them luxury goods. Most ladies would have made their bags using kits, which saved money… but not time.

I am so excited to showcase these bags for you! They are truly spectacular and I hope you enjoy seeing them and all of the other fabulous objects we have at the Fountainhead Antique Auto Museum.
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“About.” About Whiting & Davis. https://whitinganddavisbags.com/history-about#history
Haertig, Evelyn. Antique Combs & Purses. Carmel, CA: Gallery Graphics Press, 1983.
Haertig, Evelyn. Restoring and Collecting Antique Beaded Purses. Carmel, CA: Gallery Graphics Press, 2000.
Holiner, Richard. Antique Purses: A History, Identification, and Value Guide. 2nd ed. Paducah, KY: Collector Books, 1987.
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"Wearing Pockets." Introduction to 19th-Century Fashion. February 08, 2013. http://www.vam.ac.uk/content/articles/a/history-of-pockets/.
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